Creative Entrepreneurs Society
Helping turn a student society into a cross-university creative entrepreneurship network.
I moved through hands-on event and leadership roles at the Creative Entrepreneurs Society before becoming its President for 2026/27. My work has centred on programme design, team systems, partnerships and succession: helping translate an energetic calendar of events into an organisation that can continue beyond any one committee.
- Role
- President, 2026/27 (previously events and committee roles)
- Organisation
- UAL Creative Entrepreneurs Society
- Dates
- 2024-09 — ongoing
- Location
- London, UK
- Type
- Community
- Status
- Active
- Record
- Flagship
- Evidence
- B — first-hand account
- Disciplines
- Community, Leadership, Strategy, Entrepreneurship
2,500+
10+
£60,000+
Still being verified
The situation
A high-output student society with a strong outgoing core and a quiet succession risk. The calendar was full and the energy was real, but much of the operating knowledge lived in the heads of people who were about to graduate.
My route into it
I started in hands-on event work — the unglamorous delivery layer — and moved through committee roles before being confirmed as President for 2026/27. The exact progression by academic year is being written up from society records rather than memory.
The operating problem
Events, information, people and partner relationships were spread across cohorts and tools. Every new committee rediscovered the same lessons. The problem was not enthusiasm; it was that nothing compounded.
What I owned
- Programme concepts and repeatable event formats rather than one-off nights.
- Meeting architecture and the operating documents the committee runs on.
- Partner outreach and the shape of what CES offers a partner in return.
- Recruitment and handover for the 2026/27 team.
This list is deliberately specific. Anything the team owned is credited to the team below.
What the team owned
Leadership, marketing, partnerships, treasury and individual event leads all carried their own work. CES outcomes are collective outcomes; this page isolates the systems and decisions I personally owned and names the rest as shared.
Programme and partnership architecture
The shift was from isolated events to repeatable formats — a workshop series, a showcase, a build night — each with a defined audience, a partner value proposition and a reason for someone to return. Partnerships were treated as an exchange to be described honestly: a venue, a speaker, a product credit or a co-hosted programme, and never inflated into something larger.
Succession
Most of the core graduated in 2026. Rebuilding the team for 2026/27 meant designing for inheritance: documented formats, owned relationships and a handover that assumes the next person has none of the context.
Tensions and failures
- Accessibility: a programme that rewards people who are already confident is not an open programme.
- AI-heavy programming risks narrowing the society to one topic and one type of member.
- Operational complexity is a real cost — every extra system is a thing the next committee must learn.
- Burnout is the default failure mode of student leadership, not an edge case.
What changes for 2026/27
A wider creative-industry scope, a clearer operating model and a small number of experiments run properly instead of a large number run once. The full write-up publishes with sources, term reports and named credits as those are collected.
